Culture
FUTURE RELICS, PRESENT MEMORY: HOW DANIEL ARSHAM CHANGED MY VIEW OF HISTORY AND ART
White. Everything was white, until it wasn't. Standing in Seoul's sprawling Arsham retrospective, I watched as shapes emerged from the monochromatic haze like ghosts materializing from a fog. A deteriorating PlayStation controller. A crumbling Mickey Mouse. A fossilized basketball. Each object was familiar yet alien, contemporary